What this designer’s morning says about her creative process

In an age of constant content, clarity is currency. We asked five artists, designers, and writers how they tune out the noise—and what it really takes to cultivate a voice that resonates with intention.

The kettle clicks. Steam curls. And in a sun-warmed kitchen tucked behind linen curtains and stacks of old design books, she begins—without fanfare, but with intention.

Before sketches, before client calls, before mood boards, there is ritual.

The designer—known for collections that feel less like garments and more like quiet revelations—rises early. Not to be productive, but to be present. Her mornings are slow, unhurried. A delicate layering of silence and stimulation. She lights incense. Not the trendy kind, but something earthy and ancestral. She plays music, usually something wordless, something with breath.

There is toast, always, and jam she picked up from a roadside market three summers ago and keeps reordering. She eats at the table, not the screen. These moments matter.

And then: paper. Not screens, not pixels. Just a pencil and a page that does not glow. She draws what she saw in a dream, what she felt when the light moved across the floor. Shapes that make no sense until they suddenly do. She trusts this part. The part where it all looks like nothing, right before it becomes something.

Her process is her philosophy: don’t force it. Don’t fake it. Design is not about decoration—it’s about devotion. To emotion. To intuition. To slowness. Her clothes reflect this. Draped silhouettes that move like memory. Seams that speak in soft emphasis. Garments that feel like they’ve been waiting for you.

You can tell everything by how a person starts their day.

And hers? It starts with reverence.